Applying

Applications for Fall 2026 will open in September 2025.

We are sharply focused on making attendance affordable for every student. We offer need based scholarships up to, and including 100% of tuition. In recent years, eligible students have received scholarships of over 65% for the first 2 years and over 90% in their final year. Don’t let concerns about finances keep you from applying or auditioning: we work with each individual student to make it possible for them to attend Grad Acting.

The Application Process

In a typical year, the Grad Acting Program will personally audition hundreds of students in order to select an ensemble of 16 actors. Ideally, each ensemble is diverse, both in cultural background and practical experience; we place a high value on having actors from across all of life’s spectrum sharing their backgrounds with their classmates. Each actor’s story is unique and each brings something important to the ensemble.

The process of applying to any graduate acting program can be intimidating and confusing. To help make this process as clear and as easy for you as possible, we suggest taking a tour of our website. Please begin with the steps below.

Tuition & Scholarships

​​The Graduate Acting Program offers substantial financial aid support to applicants who demonstrate need. In recent years we have significantly grown the level of funding and vastly reduced the cost of attendance. Tuition scholarships of 65-100% are available for most students. While funding can change from year to year and is determined based on need, we work one-on-one with each person offered admissions to find a way to help them join our community and get the training they've worked so hard to earn.

Scholarships are funds applied toward the cost of tuition. There is no separate application for them, and all students are automatically considered after you apply for admission and indicate your need for financial aid.

Federal Aid and the Free Application for Student Aid (FAFSA)

Financial assistance in the form of loans and student employment is available to qualified students through the federal government. It is available to U.S. citizens and permanent residents only. To be considered you MUST file the FAFSA. After submitting your Tisch application, we strongly encourage you to go online and complete your FAFSA on the Web at: FAFSA Online.

The FAFSA application is available beginning January 1 and should be submitted by February 15. Make sure that you give permission on the FAFSA form for your data to be forwarded to New York University: federal school code number 002785.

Special Financial Circumstances

Applicants can provide to the Office of Graduate Admissions any special financial circumstances they feel would be grounds to be considered for more or less aid. Please provide a separate statement of any details you consider would be useful to us in determining your eligibility for scholarship funding.

Special Note For International Applicants

International applicants are considered for scholarships alongside all other applicants. To cover any remaining tuition and living expenses not met by scholarships, international applicants are urged to seek aid from outside sources and the government of their home country.

More detailed information on financial aid for international students can be found at Tisch Financial Aid for International Students

For the general guidelines and information about Tisch School of the Arts financial aid and scholarships, go to: Tisch School of the Arts Financial Aid Page.

Before You Apply

To apply to the Grad Acting program you must:

  1. Have a bachelors degree or be in the process of completing one. All accepted candidates to NYU’s Grad Acting MFA are expected to have completed an undergraduate degree before starting the program. Exceptions are rarely granted and require an appeal to the Dean of the school.
  2. Complete the general Tisch Graduate Application online. For more details on this application, visit the Tisch Graduate Admissions page.
  3. Audition.
  4. You may apply to the program a maximum of 3 times.

What to Prepare

What You Have to Prepare

1. Your audition. 

Four monologues and approximately 16 bars of a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • No piece should be longer than 2 minutes and 30 seconds.

Advice on Selection & Preparation:

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

2. A full-face photograph (headshot).

3. A detailed résumé listing your prior acting experience.

4. A personal statement in essay form. Please check back here after the application opens for this year’s essay prompt.

Callbacks

Approximately 60 applicants from the first round of global auditions will be asked to come to New York for two of three available days in March 2026 for the final callback round. The entering class of 16 students will be selected from the March callback.

If you are called back, you will be given specific instructions as to how to prepare for your callback “weekend.”

Grad Acting Information Sessions

The Office of Graduate Admissions at NYU Tisch School of the Arts and the Grad Acting department will be holding a series of virtual informational sessions that will cover the MFA Grad Acting program and how to apply for the Fall 2026 admissions cycle. All sessions will be moderated by members of the department & Graduate Admissions staff. 

MFA GRAD ACTING INFORMATION SESSIONS COMING FALL 2025

How To Apply

Applications for Fall 2026 will open in September.

How to Apply:
1. Submit your application online
2. When you receive your application confirmation, select and schedule your audition online.  
3. Upload your headshot, résumé, and personal statement to your application.

More information on Tisch graduate programs, admissions requirements, and application deadlines can be found on our website

For admissions questions or help with the online application, please contact us at tisch.gradadmissions@nyu.edu.

Do not send your headshot/résumé or personal statement to the Office of Graduate Admissions or attach them to your online application.Four monologues and a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

 

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • Please bring three printed copies of each text (in English) to the audition.

  • No piece should be longer than 2 minutes and 25 seconds.


Advice on Selection & Preparation:

 

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

Four monologues and a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

 

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • Please bring three printed copies of each text (in English) to the audition.

  • No piece should be longer than 2 minutes and 25 seconds.


Advice on Selection & Preparation:

 

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

International Students

Applying for International Students

International students who are unable to travel for the first round of in-person auditions may audition virtually. If you are under consideration for March Callbacks, you will be required to attend in-person.

Note: International applicants need to speak fluent English, as we are primarily training actors for theater, film and television in the English language.